Just some thoughts I had from conversation about Spike Lee handling spaces that are not his home New York City. From Chi-Raq to Levees, there is always critique of Lee when handling places that do not resemble his Brooklyn upbringing.
This article is old, but discusses am upcoming documentary on racial politics (assumingly) in Brazil that Lee is directin at the moment. It is set to release this year. I was wondering about people’s thoughts on how Spike Lee treats other places and, if yes, how does that treatmwnt further a particular directorial agenda?
As people who watch films, listen to music, and read books, we are constant consumers of art. As students and critical thinkers, we not only consume, but analyze this art. Something that I’ve noticed is that when critiquing a film, I often wonder about intent.
Continue reading “Balancing Art with Artist Intent”
Ever since we watched Hollywood Shuffle and Bamboozled, Dave Chappelle and his decision to leave his highly successful show in the mid-2000s has been very interesting to me. He decided to leave the show as he felt that the jokes he was making were actually reinforcing and perpetuating the racist thought that he was hoping to make fun of and eradicate. After leaving his show, and the millions of dollar Continue reading “Dave Chappelle in Chi-Raq”
In School Daze by Spike Lee, the main character Dap leads a campaign against the South African Apartheid regime. Continue reading “A Critique of an Alarmist View of College Campuses”
I found it interesting how much Historical Memory played into the New Orleans citizen’s suspicion of their levee being blown by the government. There was a certainty among a number of people who were interviewed that there was an explosion that caused the Levee to break during Hurricane Katrina. Sylvester Francis was certain that “they bombed that sucker”(23:40), “they” one can presume to be the government.
Continue reading “Historical Memory in Levees”
In Tongues Untied, Marlon Riggs examines how black, gay men are often forced to choose between which identity and movement they are allowed to be a part of. Continue reading “There are Gay Men on the Bus”
Spike Lee is arguably the most famous Knicks fan on the floor each night. The man is committed, even after this brutal season. It’s interesting that after devoting his life to this one team– and certainly bringing publicity to the team– he doesn’t get the love back from the organization.
Phil Jackson said of Spike Lee, “Spike is an avid Knicks fan who doesn’t know anything about basketball.” Judging by that Knicks record, Phil, your triangle offense ain’t working either.
How might Lee, being one of the most famous Knicks fans, use his influence to further the African-American cause? Why might the organization push back on Lee’s association with them?