This final exam was a collaborative effort between @marquezdoee, @rpark16 (from blog 2), and @emersonking.
About an hour and a half into the film, Lysistrata comes face to face with Ol’ Duke and the rest of his sex-starved posse, The Knights. With a series of shot reverse shots, Lee constructs the sequence with a level of intensity that comes with any face-off, placing the men on one end and the women on the other. Throughout this sequence, Lee utilizes a combination of sound and image to communicate an interplay between the male and female characters on screen, a dynamic that causes a shift in power that begins with the Knights and ends up with the strikers.
Continue reading “SLJoints Final: Gender Dynamics Through Audio-Visual Editing”
I thought Malcolm X was fantastic. While researching the joint’s critical reception, I was pleased to discover that many critics had similar reactions. Even those with serious qualms with the film generally seemed pretty damned pleased that a major Hollywood studio was producing and financing a movie commemorating the life of Malcolm X. One reviewer wrote, “That this man is the subject of the first big budget Hollywood movie on the life of a black historical figure is, in and of itself, nothing short of a coup” (Yousman 2014).
Continue reading “Final: Critiques of Lee’s Malcolm X”
In Malcolm X, Lee displays Mr. X’s difficulty in acclimating to the prison. Lee imbues the Mr. X’s incarceration with realism as it appears to relate to Erving Goffman’s mortification process, as described in Asylums. Continue reading “The Mortification of Malcolm Little”
I went to the undergraduate symposium part of A Day of DH in The Five Colleges. This part of the digital humanities exhibition gave undergraduates a space to present the products of their hard work. Continue reading “New Gaming Hardware: Greater Immersion for Everyone”
In a previous post, I wrote about the scene in Get on the Bus where Wendell gets thrown out for his ideologies. The revelation that Republicans were riding the bus caused a general feeling of astonishment between the bus riders. Evan Thomas Sr. encapsulated this by stating, “I don’t see how any Black man can be a Republican” (1:06:09). This movie was released in 1996, however there does not seem to be a significant change in how Black people view the Republican Party 20 years later. This begs the question, why don’t Black people support the Republican Party? Continue reading “A Brief Look at Why Most Black People Do Not Vote Republican”
In Lee’s Get on the Bus, there is a scene where we learn that both Wendell and Kyle support the Republican Party. Wendell goes on a tirade about “niggas like Jackson” to make the point that Black leaders seem to be always asking for some form of patronage, leading him to say, “They all say the same thing, ‘Hire us. Feed us. Affirmative Action’. Like we need America to keep a nipple in our mouth” (1:05:58). Kyle reiterates this point in his defense. He says, “Democrats wanna keep us powerless, docile, begging for handouts. Running around having babies without even a minute plan for their future” (1:06:17). So why did Wendell get thrown off the bus, but Kyle didn’t? Continue reading “Why Did Kyle Get to Stay on the Bus?”
For Howard University’s 2016 commencement, President Barack Obama delivered the keynote address. When I listened to his speech, what resonated with me the most was the following section: Continue reading “Working With or Against the System”