In School Daze by Spike Lee, the main character Dap leads a campaign against the South African Apartheid regime. Continue reading “A Critique of an Alarmist View of College Campuses”
My final project for this class is a scene analysis in Bamboolzed. I worked on this voiceover with Alida Mitau, who is in Blog Group 2. I hope you enjoy it!
Here’s the link.
I had a great semester with you all!
In Lee’s Get on the Bus, there is a scene where we learn that both Wendell and Kyle support the Republican Party. Wendell goes on a tirade about “niggas like Jackson” to make the point that Black leaders seem to be always asking for some form of patronage, leading him to say, “They all say the same thing, ‘Hire us. Feed us. Affirmative Action’. Like we need America to keep a nipple in our mouth” (1:05:58). Kyle reiterates this point in his defense. He says, “Democrats wanna keep us powerless, docile, begging for handouts. Running around having babies without even a minute plan for their future” (1:06:17). So why did Wendell get thrown off the bus, but Kyle didn’t? Continue reading “Why Did Kyle Get to Stay on the Bus?”
As Chicago native it’s hard for me to look at any piece of creative work that is inspired/about the city of Chicago without a critical eye. It is my hometown and in my opinion the greatest city on earth. Therefore, when I first heard back in November that Spike Lee was making a movie about the violence in Chicago based on a Greek tragedy I was skeptical, but open minded. I knew that Lee was a cerebral film maker and a lover of the advancement of Black people, so while I was a little nervous about how the project would pan out I still had hope that it would a solid film. A month later the trailer came out and twenty seconds into it I was both appalled and disappointed. It appeared that the movie’s humor and message focused less on all the institutional problems that perpetuate the violence in Chicago and more on a trivial storyline about women using sex to stop (institutional and systemic) violence– yeah, okay.
I have two major issues with the film. The first, is that I think it did very little to highlight and expose the issues for why there is such widespread violence in the city. The second, is that I think its objectification and sexualization of Black women was both over the top and pointless. In summary, I found the whole movie to be inappropriate. There were times were a character, mostly the Father Mike Corridan’s (based on the preacher and activist Father Pfleger) made good points about why the violence was so bad what needed to be done to stop it. In the beginning of the film when Corridan is giving a speech about why little Patti was murdered, he touched upon subjects like how the black market for guns is discriminatory in the neighborhoods it targets, how the lack of affordable housing causes Black families in high concentration of poverty…. etc, and these were all the reasons why the South side was a hotbed for gun violence. This sermon was the most redeeming scene in the movie. It actually informed the viewer on why the violence in Chicago was so bad, and why it needed to stop. The rest of the movie going forward was a serious regression in topic.
I understand that Lee was using satire to make a point. My issue is what point was he trying to make exactly? I feel like the satire in the film achieved nothing in exposure of the systemic violence in a city I love so dearly. I don’t know what contribution this film made to making the lives of those who live in neighborhoods like Back of the Yards, Englewood, Austin, and Woodlawn better. There was a wake up call at the end of the film, reminiscent of School Daze, but what it was about I can’t say. It seemed like the message the film was attempting to portray at times was that Blacks need to start loving and respecting each other more, and that will solve the violence. While more self-love and self-care in the Black community would not hurt, it cannot solve the systemic violence that currently persists. What is happening in Chicago and other urban centers is a the apex of institutional racism that has existed in the American government and its treatment of African Americans since the Emancipation Proclamation. So sorry, Spike, your clever idea about relating the violence of Black men killing other Black to the Peloponnesian war didn’t quite hit the mark. You failed to expose the problem and deliver any real advancement to the people who are constantly being screwed over by this violence.
In Chiraq spike lee really focuses in on the conditions of the, urban center of Chicago particularly focusing on gun violence and murder. Throughout the film lee glazes over what actually causes these conditions in the communities where they occur. He sometimes alludes to systematic and institutional racism but never really delves deep into these ideas in the film. Lee then further complicates this idea of responsibility and who or what is to blame for these socio-economic conditions at the end of the film when the main character. Chiraq confesses to committing the accidental murder of Irene’s 11-year-old daughter and in an ending scene he begins to recite the lyrics of a song. As Chiraq walks down the aisle of the church there are praise dancers dancing in white behind him. The lyrics talk about gang and community members making change where they live and taking accountability for their own lives and actions. The significance of the praise dancers dressed in white dancing during his soliloquy is that they are affirming his message. The fact that praise dance is religious and they are dressed in white, a color associated with purity, good energy and cleansing affirms that Chiraq is doing the “right thing”. This sequence says to me that the conditions of Chicago are brought on by the people who live there, themselves as opposed to the conditions of violence and poverty being a result of a system. A system that fails to provide the urban centers of the world with adequate resources and opportunity, and so as a result poverty and violence are spawned. With this movie ending on that note I don’t really know how spike views this influx of violence limited to urban centers. I’m not sure if he deems it the fault of the people who inhabit these spaces or if he alludes is to system that is failing them. So the question that remains to me from the point of view as the audience for this film based on what spike has provided us with, is who is to blame.
In 2006, Spike Lee dropped his new joint Inside Man. In this film, the only child hostage, a young black boy, is playing a overly violent video game that has the typical ‘black thug’ as the main character. I think that this is meant to be an indictment of the hugely popular 2004 video game Grand Theft Auto: San Andreas. Continue reading “GTA: San Andreas a Problem?”
I first watched this movie when I was in 7th grade. Not in school, not in a predominately white district in a small town in North Carolina. I saw it at home with my parents. I had known nothing about Malcolm X previous to viewing. My grandparents had a picture of him doing his famous thinking pose next to MLK Jr., who looked calmly ahead, on their wall. I didn’t even know that that was Malcolm X. But I was intrigued by the picture – he looked so intelligent. When I thought about Malcolm X, vague terms came to mind. “Radical”, “black panther”, and “violent” to name a few. That is what I got from school. MLK Jr. was lauded and Malcolm X was ignored, or spoken about in those terms. I watched Malcolm X for the first time, and also for the first time, felt rage over something not related to me. I considered it a gross injustice that he had been painted so poorly in my head; that I had been lied to, or at least mislead; and that he had been assassinated for daring to speak poorly of other people, when he was right. That is not the America I had known. And for the first time I was forced to think about free speech. I was forced to think, heavily, about being black. Following the viewing, I did research of my own. I learned about Fred Hampton, and COINTELPRO. This movie is the first time I critically thought about race issues. And for that reason, other than that it is an amazing movie in its own right, Malcolm X is my favorite Spike Lee movie. And I agree with him completely. Everyone should be forced to watch it.