The Infallible Spike Lee

Do any of you feel as though the discussions in this class are often too unapologetic to Spike Lee? The only reason I bring this up is because we discuss him as an infallible figure. Speaking generally, just off the top of my head, I’m thinking of sexist undertones in Mo’ Better Blues and overt homophobic themes in School Daze. Thoreau has an entire chapter, Baker Farm in Walden, that I found to be some of his poorest work which was irreprehensibly contradictory. This does not mean I reject all other aspects of Thoreau’s– or Lee’s– work because of specific pitfalls. It does mean I question certain parts of each mans work. Thoughts?